Monday, June 23, 2014

A lot has happened since January. ANYEYE has acquired several Eiki projectors and several more 16mm cameras. All of the equipment is intended to support the film and performance classes at Montserrat College of Art. Unexplained curriculum decision late in the spring semester effectively killed the performance and film classes for the fall. The result of this is that there will be no classes offered in film for the rest of the academic year. As the director of ANYEYE this is a major setback in the building of our program. It remains to be seen what will happen with performance this academic year since the brilliant and uber professional Sandrine Schaeffer will now be in Chicago for the fall semester.

ANYEYE will not be offering workshops this summer but has invited several film makers to come and perhaps generate work at the facility. We are working with the Gallery Director Leonie Bradbury and her Director of Educational Outreach Maggie Cavallo to develop a set of residency program guidelines which will hopefully  commence next summer.

So, we are on a slightly slower trajectory and will be looking for ways to monetize the equipment base to help support the residency program.

Look for a revival of the Random Orphan Film program this summer. We are continuing to acquire new films and want to create and build a culture around the viewing of projected cellulose acetate.

Sunday, January 5, 2014

Recent Acquisitions

Two important additions to our facility 
Arriflex -S camera and lenses.


Pageant Analyst Projector

Monday, December 9, 2013

Chromaflex film workshop in Colorado Springs


This digital video was captured by film maker Bill Brand at the Alternative Measures Conference in Colorado Springs Colorado in late November. It represents a few moments from a 3-day workshop led by Richard Tuohy from NanoLab in Australia. It was a great event for proponents of shooting and making films with and without cameras. Enjoy

Tuesday, December 3, 2013

Film in the basement. ANYEYE at Monsterrat

Film in the basement at Montserrat
Shot by Amy Lithimane on Tuesday Dec. 3rd.
Edited on HTC software as we unraveled and raveled our films.

Sunday, November 24, 2013

ANYEYE IN COLORADO

We just  returned from the Alternative measures conference/Festival in Colorado Springs Colorado. Saw many beautiful and provocative films. We learned a lot about the common issues facing filmmakers and the communities that they form to get their work done. There film makers from Brazil, Portugal, Canada, Austria,Germany, France, Korea, The Netherlands and America looking at films and teaching workshops for each other.
It was inspiring and invigorating and crazy fun. We learned a lot about hand made emulsions, creative development of print stock and contact printing. I learned so much that I will need talk more later.





Sunday, October 27, 2013

WE GO WEST

The Institute has been invited to a conference on
Artist-Run Film Labs called Alternative Measures...

TIE - Alternative Measures: an investigation of artist-run film labs 
Wednesday, November 20, 2013  -
Sunday, November 24, 2013 


Edith Kinney Gaylord Cornerstone Arts Center
825 North Cascade Ave.
Colorado Springs, Colorado 80903
United States 




https://www.regonline.com/builder/site/Default.aspx?EventID=1234975

TIE, The International Experimental Cinema Exposition presents five-days of film screenings, lectures, receptions, panel discussions, a photo exhibit, installations and workshops. Fostering the transmission of knowledge and experience cross-culturally, Alternative Measures is a meeting place for scholars, film lovers, artist-run film labs, filmmakers, artists, curators and other creative minds. This internationally groundbreaking festival/conference is open to the public.


Ethan Berry has been invited to moderate a panel called "Problems In Placement"
This lively panel discusses placement issues and philosophical concerns associated with artist-run film labs. Hear from Ethan Berry, Ricardo Leite, Kevin Rice, Enrico Mandirola and others who have experience in handling a variety of issues that come with maintaining their own artist-run film labs.