Winter Update

The Institute has acquired hundreds of orphan films from an anonymous donor. These films are not in great condition. They have been stored improperly and in some cases have become effected with vinegar syndrome. Consequently, they are being stored offsite as they are organized, cleaned and sorted. Because of their condition many of them may end up in found footage compilations. More images from this collection soon.

The TIE Show at Montserrat

 Chris May and Ethan Berry Setting up for the first TIE show at Montserrat. We screened 13 films on Thursday October 11th. Two films premiered in this program; Paul Clipson's luscious color print of ANOTHER VOID and Josh Weissbach's brand new print of STORM CROSSING. We also put up two multi- projector films; TWIN PROPELLORS in Super-8  by Jason Halprin

and PARKOUR in 16mm by Chris May. Along with about 90 minutes of other 16mm work. It was an ambitous program of Super-8 and 16mm films utilizing six projectors. Chris did a great job of putting this program together with Abstract, Structuralist, Found Footage, Diary and Poetic Narrative works.

Thanks to all who came and also thanks to Institute friends Damaris Chapin-Berner and Mike Evers who's equipment made this presentation possible.

This digital image was acquired by Ron Dirito using an iPhone, I think.

TIE Experimental Films @ Montserrat

Kindred spirit Chris May has been working for 10 years presenting and supporting experimental and innovative films in all celluloid formats. He has curated numerous shows all over the country. We share his mission and commitment to the analog formats and the magical quality of shadow-based images. Join us at Montserrat  College of Art on October 11 at 8 p.m. to see work by Jody Mack, Paul Clipson, Jason Halprin, Laida Lertxundi and others at a first ever TIE show at Montserrat.

Check out TIE here: http://www.experimentalcinema.org/

Recent Donation Updates

We want to make note of recent donations from one institution and one individual.
The Hill House Museum and Garden in Washington DC. Has donated a large collection (11,000) slides and slide viewing equipment to the Institute. The collection represents their collection of 19th and 20th century Russian art, furniture, costumes and decorative objects. The collection is housed in 5 slide storage cabinets. A lightbox included in this donation will be great for shooting titles on film. The slides are absolutely fabulous.
Film maker Paul Turano has donated some quite usable Super-8 editing equipment to the institute along with some 35mm film cameras.  The viewers will become part of our Film Camp equipment base. The gear is being inventoried this summer. Thanks Paul.

View of the shooting space in the 301 Gallery.

Shooting film "Velocity" in the 301 Cabot Street Gallery space

The story is an examination of the movement and activities of a man and a woman in the late 19th century. Although they are not acquainted their paths cross over a photographic portrait. This film is essentially a follow up to the Super-8 film called After All which I shot last summer. I was inspired by the work of Rosalind Krauss and Jonathan Crary primarily. They both present a narrative of the late 19th century which acknowledges the importance of psychology, optics,  and phenomenology and the emerging cognitive sciences of the mid to late 1800's. This narrative exists in parallel to the more common story of the linear development of technology and modernity. The characters of Him and Her are constructed to represent two distinct and different experiences of the culture of this time. One is grounded in a Cartesian and measurable universe.  He is an artist who uses his skills and his eyes to render and capture the landscape around him. by contrast, her character is more comfortable with her inner mind and the subjectiveness of her experience. She is also connected to the realm of time, technology and speed.

The actors are playing out their roles more as emblems rather than specific individuals. They are graphically accurate rather than being historically "correct". The film is in 16 mm black and white and will present it's own atmosphere and artifacts to the imagery.