Monday, August 12, 2024

Sometimes


 Reading Gertrude Stein. "The Making of the Americans" and being entranced by the cadence of the broken language that goes forward and back. Pulled some fragments and made a two-projector slide piece that I projected for a week on the inside of a shop window on a street in downtown Beverly Massachusetts.

My fascination with violence combined with Gertrude Stein's words about a man' "bottom nature" to help me say what I wanted to say about ..men. Big time men, sad men broken men, confused men, men in mourning, men in hate. men in fear.

I got no reaction from most of those who saw it. But it was a success to put it into the public realm

Monday, June 5, 2023

A post from back in 2020

This is an older post but it is interesting to see my reaction to Covid.

 I have not posted since January 15th 2020. I mentioned at the time that ANYEYE Film Lab had been to Colorado, Berlin Germany, and Nantes France. Being amazed at where my films had taken me.

A lot has happened since then. There has been a shift in things. Fear and caution have all but replaced curiosity and confidence. Travel is restricted, gatherings are restricted and interaction is now primarily over video conference calls. An opportunistic virus has brought our capitalist system to a standstill. At least the retail part of it. It seems odd, maybe ironic that a microbe could do this.
Memes are birthing and spreading as well. This has been the most depressing part of the three month experience. I do not feel like we are all in this together. Nor do I want to be a hero. I just want to be able to communicate in full sentenced with body language and gestures in real time and space.
I have taken on the task of renovating a two car garage. I want to turn it into a studio office space and make room for our 4 year old step grandson to have a room of his own.

The garage looks like this so far.







An earlier post from 2013

This is the seventh year of the ANYEYE blog. Since that time ANYEYE has been to France, Germany, Colorado, This cities of New York, Buenos Aires, London, and Barcelona. The film world has expanded to include film labs like us in Latvia, Australia, Mexico, and right nearby in Waltham.

Saturday, June 3, 2023

Toronto

I just returned from a trip to Toronto. I had participated in a 5 day Film Labs meeting sponsored by L.I.F.T.  https://lift.ca/analogue-resilience-film-labs-gathering/


Two film world colleagues and I stayed in and Air B&B on the west side in a part of Toronto called "The Junction". We walked and talked a lot and spent much of time in discussion and at the events, seeing films and attending workshops.

I was inspired by the number of young people who have been drawn to analog film making. They brought a very broad range of skills and sensibilities to the event.

There was a clear focus on the environmental impact of photochemical processes and ways to mediate that impact. There were also presentations on DIY technical solutions to projection, sound production, and optical printing. High energy at every event.

I am really reassured at these meetings (Colorado Springs, Nantes, Berlin), how much alive the photochemical process is and how much it is expanding to include new technologies and processes.  I am encouraged that even though I may be somewhat isolated here in the burbs than there are artists from all over the world who are immersed in this form of image making.




Sunday, June 16, 2019

ARTOMI in Ghent NY

On my way to Colgate in Hamilton NY. I stopped at ARTOMI, an large artpark in Ghent, NY. I spent an hour and a half and walked about three miles around the ground and still only saw about 1/3 of what is installed there.

Friday, June 14, 2019

Decided to break up the drive to Hamilton NY by stopping in  Chatham NY just across the MA/NY border.Staying in a small Airbnb outside of town and wanted to go "into town" for dinner.
Found the Blue Plate Restaurant right in the middle of town. Actually next to the railroad tracks. 
Good dinner in the restored bar in the basement. 
I will be visiting ArttOMI  in the town of Ghent NY tomorrow before I continue up to the Flaherty

Thursday, June 13, 2019

Going to the Flaherty Seminars on Saturday

The legendary Flaherty is the meeting point for the political, poetical, experimental, Critical  and cultural world of Documentary films. I read about it all of the time and have done what I think is a good amount of homework in my narrow band of interest in Experimental Documentary.
I know that the contemporary realm of documentary is in flux just like the other worlds that I travel in. My intention is to be open and curious but not uncritical.

I am driving to Colgate where it is held and I look forward to an introspective two-day journey. I will stop in Chatham NY which is one of the primary locations of the first film I worked on back in 1971. We camped out in the Shaker Museum there to shoot interiors for an Historical drama aimed at Bicentennial release. It never happened as we had planned (long story) and we sold the negative footage, work print and the rough cut and the film is somewhere in California.

So I go back in time as I go west. Arrive in the NOW and bathe in the moment.

Wednesday, April 18, 2018

Richard Tuohy and Dianna Barrie are coming to ANYEYE at Montserrat in June

Australian film makers Richard Tuohy and Dianna Barrie will be at the ANYEYE film lab at Montserrat College of Art from June 22 until June 24th. They will be conducting a 3 day workshop that will focus on direct film making using a salvaged 16mm contact printer. Since a lot of 16mm equipment is being discarded as the film industry has shifted towards video production, Small film labs have sprung in different parts of the world to gather and begin using the equipment in new and creative ways. ANYEYE is one of those.

Richard is a film maker who has become sort of an expert on these devices which are used to make one-to one-copies of 16mm films.
Dianna Barrie is an accomplished film maker who works with Richard on a variety of hand processed and experimentally inspired short films. Together they have done workshops in Barcelona, Riga Latvia, Vienna, Rotterdam, Paris, Berlin, Colorado Springs, Toronto  and in Boston as well.

Here is text from a recent screening in Toronto;

As the film industry sheds much of its traditional machinery, Tuohy and other like him are scavenging these technological leftovers, giving them new life in the growing artist run film labs movement, and discovering new possibilities and techniques that had been largely out of reach for an earlier generation of film experimenters. Tuohy refers to such lab-working filmmakers as coming from the school of 'dirty hands'; where the filmmaker really gets their hands into the nitty-gritty of film. Tuohy sees this change as an opportunity, indeed as a kind of liberation for the experimental filmmaker—allowing experimentation in areas that previously were too often a costly mystery kept in the hands of professionals. This program presents six hand-processed and DIY printed 16mm film works from Tuohy's recent output. The films, though diverse, are all highly abstract and tightly structured and share a fascination with the visual possibilities of basic traditional film technology.

Richard Tuohy is one of the most active experimental film artists currently working on celluloid in Australia. His film Iron-Wood won first prize (ex aequo) at the 2009 International Abstract Cinema Exhibition (ABSTRACTA) in Rome. He runs Nanolab in Australia—the specialist small gauge film processing laboratory. He actively encourages other artists to work with cine film through his Artist Film Workshop initiative. In 2006 he and his partner started Nanolab as an artist run film laboratory offering super 8 processing.
And also a link to an interview:

Also; see this interview with Richard;
http://ortodossiafotografica.blogspot.com/2017/02/richard-tuohy-and-diana-berrie-two.html

Tuesday, September 29, 2015

Experimenting with Animated Sound in Super 16

This is the new K3 setup for animating sound in the expanded image area. I am experimenting with how text that is layered and fattened can work as a variable area sound track when animated into the side of the wider super 16 frame area. Strips of text are cut and arranged so that the ascenders and descenders created a variable area between the lines.
 Text strips spiced onto a 16mm reel

The text is layered from Baudrillard's "System of Objects"

The text moves upward or downward in the narrow area on the right side of the template.
My first roll is still in the camera. I still need 2000 more images. Results some time next week.

Monday, May 18, 2015

Since Last Fall

Since Last Fall
ANYEYE has been growing internally since last summer's film series. There have been a number of ongoing projects worth paying attention to. The Random Orphan Film series has morphed into a Pop-Up series which will be happening in June. We will be on the road in July with a presentation at the Marblehead Arts Festival. This past fall we made a silent film presentation in Brian Pellinen's History of Film Class at Endicott College's Boston Campus.
Other project updates;
There are two pieces of equipment that are being developed for the lab. An contact printer has been built from a motorized sync block with an LED light source. Also, a simple optical printer has been built from an old Keyston projector linked to a Bolex with an time-lapse motor. The projector is driven by an arduino controlled stepper motor. There are a few details to work out but preliminary tests show that the device works quite well. pictures to follow.
We have been building an equipment base that could support next fall's film class at Montserrat. To this end we have acquired two Bolex Rex 3 cameras and a Kraznogorsk Super 16 camera from the Ukraine.

Tuesday, September 23, 2014

ANYEYE Fall Silent Film Series Begins Friday 9/26


The Fall Silent Film Series begin this Friday with Buster Keaton's "The General"
The General is a 1926 American silent comedy film released by United Artists. Inspired by the Great Locomotive Chase, which happened in 1862, the film stars Buster Keaton who co-directed it with Clyde Bruckman. It was adapted by Al Boasberg, Bruckman, Keaton, Paul Girard Smith (uncredited) and Charles Henry Smith (uncredited) from the memoir The Great Locomotive Chase by William Pittenger.

Because of its then-huge budget ($750,000 supplied by Metro chief Joseph Schenck) and failure to turn a significant profit, Keaton lost his independence as a filmmaker and was forced into a restrictive deal with MGM. In 1956, the film entered thepublic domain (in the USA) due to the claimant's failure to renew its copyright registration in the 28th year after publication.[2]
The film has been reevaluated, and is now considered by critics as one of thegreatest films ever made. In 2007, The General was ranked #18 by theAmerican Film Institute on their 10th Anniversary list of the 100 best American movies of all time.[3]
Friday September 26, 7:30 pm.
Hardie Screening Room
In the basement of the Hardie Building
23 Essex St.
Beverly, MA

Monday, June 23, 2014

A lot has happened since January. ANYEYE has acquired several Eiki projectors and several more 16mm cameras. All of the equipment is intended to support the film and performance classes at Montserrat College of Art. Unexplained curriculum decision late in the spring semester effectively killed the performance and film classes for the fall. The result of this is that there will be no classes offered in film for the rest of the academic year. As the director of ANYEYE this is a major setback in the building of our program. It remains to be seen what will happen with performance this academic year since the brilliant and uber professional Sandrine Schaeffer will now be in Chicago for the fall semester.

ANYEYE will not be offering workshops this summer but has invited several film makers to come and perhaps generate work at the facility. We are working with the Gallery Director Leonie Bradbury and her Director of Educational Outreach Maggie Cavallo to develop a set of residency program guidelines which will hopefully  commence next summer.

So, we are on a slightly slower trajectory and will be looking for ways to monetize the equipment base to help support the residency program.

Look for a revival of the Random Orphan Film program this summer. We are continuing to acquire new films and want to create and build a culture around the viewing of projected cellulose acetate.

Sunday, January 5, 2014

Recent Acquisitions

Two important additions to our facility 
Arriflex -S camera and lenses.


Pageant Analyst Projector

Monday, December 9, 2013

Chromaflex film workshop in Colorado Springs


This digital video was captured by film maker Bill Brand at the Alternative Measures Conference in Colorado Springs Colorado in late November. It represents a few moments from a 3-day workshop led by Richard Tuohy from NanoLab in Australia. It was a great event for proponents of shooting and making films with and without cameras. Enjoy

Tuesday, December 3, 2013

Film in the basement. ANYEYE at Monsterrat

Film in the basement at Montserrat
Shot by Amy Lithimane on Tuesday Dec. 3rd.
Edited on HTC software as we unraveled and raveled our films.

Sunday, November 24, 2013

ANYEYE IN COLORADO

We just  returned from the Alternative measures conference/Festival in Colorado Springs Colorado. Saw many beautiful and provocative films. We learned a lot about the common issues facing filmmakers and the communities that they form to get their work done. There film makers from Brazil, Portugal, Canada, Austria,Germany, France, Korea, The Netherlands and America looking at films and teaching workshops for each other.
It was inspiring and invigorating and crazy fun. We learned a lot about hand made emulsions, creative development of print stock and contact printing. I learned so much that I will need talk more later.





Sunday, October 27, 2013

WE GO WEST

The Institute has been invited to a conference on
Artist-Run Film Labs called Alternative Measures...

TIE - Alternative Measures: an investigation of artist-run film labs 
Wednesday, November 20, 2013  -
Sunday, November 24, 2013 


Edith Kinney Gaylord Cornerstone Arts Center
825 North Cascade Ave.
Colorado Springs, Colorado 80903
United States 




https://www.regonline.com/builder/site/Default.aspx?EventID=1234975

TIE, The International Experimental Cinema Exposition presents five-days of film screenings, lectures, receptions, panel discussions, a photo exhibit, installations and workshops. Fostering the transmission of knowledge and experience cross-culturally, Alternative Measures is a meeting place for scholars, film lovers, artist-run film labs, filmmakers, artists, curators and other creative minds. This internationally groundbreaking festival/conference is open to the public.


Ethan Berry has been invited to moderate a panel called "Problems In Placement"
This lively panel discusses placement issues and philosophical concerns associated with artist-run film labs. Hear from Ethan Berry, Ricardo Leite, Kevin Rice, Enrico Mandirola and others who have experience in handling a variety of issues that come with maintaining their own artist-run film labs.